![]() Yé-yé songs had innocent themes such as that of Françoise Hardy's " Tous les garçons et les filles" ("All the guys and girls my age know how it feels to be happy, but I am lonely. Another later hit by Gall included " Laisse tomber les filles", a cover version of which by April March called "Chick Habit" appeared in Quentin Tarantino's 2007 film Death Proof. The prototype bubblegum song " Poupée de cire, poupée de son". France Gall, for example, was only sixteen years of age when she released her first album and seventeen when she won the Eurovision Song Contest (for Luxembourg) singing Yé-yé music was a mostly continental European phenomenon and usually featured young female singers. Serge Gainsbourg, France Gall and Mario del Monaco at the Eurovision Song Contest 1965, where " Poupée de cire, poupée de son" took the award. The term was popularised by Edgar Morin in a July 1963 article in Le Monde. After she finished, Hartuch remarked on the "yé yé" lyrics and asked her what they meant. Singers like me became emblems of fashion, in addition to chanson, which helped to maintain notoriety."įrançoise Hardy performed on Mireille Hartuch's Petit Conservatoire television show in February 1962 (a year before The Beatles recorded " She Loves You"), singing " La fille avec toi", which began with "Yeah yeah yeah yeah". At the same time, fashion had assumed a considerable importance, which it had never before had. ![]() In fact, in the 1960s, we saw the advent of the mass media. I remember being in the first page of Paris Match very quickly, without being very well known or doing anything special for that this would no longer be possible nowadays. ![]() It was also the heyday of Salut les copains, and the press played an extremely important role, it could promote beginners. We, the singers, were much, much less numerous than today – and there were fewer radios. ![]() "Radios were practicing a real hype, much more than today. The Salut les copains phenomenon continued with a magazine of the same name that was first published in 1962 in France, with German, Spanish, and Italian ("Ciao Amici") editions following shortly afterward. Any song that was presented as a chouchou went straight to the top places in the charts. The program became an immediate success, and one of its sections, "L e chouchou de la semaine" ("This Week's Sweetheart"), became the starting point for most yé-yé singers. The phrase " Salut les copains" itself dates back to the title of a 1957 song by Gilbert Bécaud and Pierre Delanoë, who ironically themselves had little regard for the yé-yé music that the radio show typically featured. The yé-yé movement had its origins in the radio program Salut les copains (loosely translated as "hello mates" or "hello pals"), created by Jean Frydman and hosted by Daniel Filipacchi and Frank Ténot, which first aired in December 1959. ![]()
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